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post #1 of 157 Old 11-06-2018, 02:39 AM - Thread Starter
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Finally I could satisfy my (and I hope your) curiosity to know which test pattern generator (or TPG) in the low price range is really accurate. To do this I bought a medium-high end TPG: DVDO AvLab TPG, which has inside a signal analyzer whose accuracy has been verified and confirmed with an Accupel DGA-6000 by the legendary Maciej Koper.

Let's start! Here are the contenders:


Apple TV 3rd Gen


Apple Media Center of two generations ago. Can be used with MobileForge (CalMAN) and LightSpace Connect (LightSpace). The limit of this object is the adjustable refresh rate, which is limited to 50 / 60hz, no 24hz.

Apple TV 4K


The latest Apple release. Can also be used with MobileForge (CalMAN) and LightSpace Connect (LightSpace).
On the spec sheet a bomb...

Amazon FireTV Stick


Very economic and portable object, with a more than decent video quality. Can also be used with MobileForge (CalMAN) and LightSpace Connect (LightSpace). Here the limit is that the output is only one: RGB limited (16-235), no YCrCb

Raspberry Pi 3 B + with PGenerator by Riccardo Biasiotto


A tool that can really do everything! The only limit is the imagination!

Is my laptop bit accurate? Dell Inspiron 17-7779

...and my Blu-ray disc player?!? Panasonic DMP-BDT260


Before moving on to the test results and their commentary, I would like to define what the reference TPG should be... easy, it has a name: Accupel DGA-6000! It is perfectly accurate in every color space (supports up to Rec2020), with every color depth (8/10/12 bit), at every resolution (up to 4K) and frequency (24/25/30/50/60), both in SDR and HDR. It has one single flaw: it lacks of Dolby Vision support, but we know whose fault it is!
Limiting the test to SDR, I can state that a reference TPG must be bit accurate in YCbCr at 1080p resolution with all refresh rates, in this case the reference color space is Rec709. It is therefore in this "enclosure" that I have carried out my tests. Where a device resulted not accurate in YCbCr (or the YCbCr output setting is not present) I have tested its accuracy in RGB Full or Limited but with 16-235 videoscale. The display used is a TV Monitor Samsung SyncMaster P2370HD which, despite obsolescence, it has played its irrelevant task very well.

How I did the tests: DVDO AVLab TPG powered via USB from the laptop, TPG under analysis connected (one at a time) to the HDMI input of the DVDO with the HDMI output connected to the display, CalMAN 2018 Ethusiast R3 Beta Build 27, LightSpace CMS HTP 9.0.0.2448.

TPG for CalMAN:

Ted's Disc Media Files with third generation Apple TV
YCbCr 444 8 bit


MobileForge with Apple TV third generation
YCbCr 444 8 bit


RGB High


...and RGB Low


MobileForge with Apple TV 4K
YCbCr 444 8 bit


MobileForge with Amazon FireTV Stick
RGB Limited 8 bit


RPi PGENERATOR by Riccardo Biasiotto
RGB Full 8 bit


11.21.2018 UPDATE: As requested by @ebr9999 I tested RGB limited output of RPi PGenerator. As stated in the first post, the not so bad results still prove that RPi is bit accurate only with RGB Full output with LightSpace or CalMAN videoscale set to 16-235.

Here it is:

END OF 11.21.2018 UPDATE

Dell Inspiron 17-7779 with CalMAN built-in TPG
RGB 8 bit


Ted's bluray disc with Panasonic DMP-BDT260
YcbCr 444 8 bit


Conclusions: As shown by the graphs, at the moment, MobileForge is not bit accurate with every device even if the output of the latter is (as in the case of Apple TV third generation, as proven by the test with the media files of Ted's disk). MAYBE wrong triplets are sent. With Apple TV 4K the situation seems to improve a bit but it's just an illusion. The Apple TV 4K, in fact, with output YCbCr and RGB seems to process the image continuously returning fluctuating values with digital errors ranging from a theoretical minimum of 1 to a theoretical maximum of 6 per triplet (as shown in the chart in which Ted patterns are used). For this reason, even if I reported the minimum values (by looking for them pixel by pixel) I did not calculate the relative dE for a simple reason: Apple TV 4K is not effectively usable as a TPG. That's why I will not proceed to test it further.

11.13.2018 UPDATE: Obviously, if ATV 4K is the only TPGable device you own you have no choice than use it. My only recommendation is to NOT measure the patches produced by it in contact mode, the more patch area you measure the more the digital errors will be reduced... forewarned is forearmed.
Since there are still some doubts about ATV 4K behavior with YCbCr/RGB high output, I filmed two videos, both displaying Ted's Color Checker Classic Media file via Infuse 5 Pro App with:
1) ATV 4K at 1080p 24 Hz YCbCr output
2) ATV 4K at 1080p 24 Hz RGB high output

NOTE: Except Rpi, I tested all devices with Ted's Color Checker Classic media files (or BD for my BD player) and all of them showed solid triplets except ATV 4K.

A very nice request to analyze CalMAN built-in with my laptop HDMI set to YCbCr has been made by baller02, I didn't think about it when I ran all the tests so I've analyzed Calman built-in TPG only with my laptop HDMI set to RGB and it turned out to be bit accurate. So prior to analyze CalMAN internal TPG in YCBCr, I have to do it with Ted's patterns and... Read this post for more.

END OF 11.13.2018 UPDATE

The Raspberry Pi (RPi) PGENERATOR by Riccardo Biasiotto is bit accurate and very stable (in RGB Full, not in YCbCr). We're talking about a DIY solution made by a NON PROFESSIONAL. Really outstanding, especially because it is 360° configurable, it connects via Ethernet, Wi-Fi, Bluetooth and it works with every calibration software I know!

Surprisingly, the HDMI output of my laptop resulted bit accurate!!!

TPG for LightSpace

LightSpace Connect with Apple TV third generation
YCbCr 444 8 bit


LightSpace Connect with Amazon FireTV Stick
RGB Limited 8 bit


RPi PGENERATOR by Riccardo Biasiotto
RGB Full 8 bit


Conclusions: Apple TV 4K has been excluded for the reasons mentioned above. All TPG solutions for LightSpace are bit accurate. The choice here could fall on the third generation Apple TV which is also perfect in YCbCr. On the same level, the RPi PGENERATOR by Riccardo Biasiotto.

Final Conclusions and tips: For those who only use CalMAN or even LightSpace, the only affordable and accurate bit solution is the RPi PGENERATOR by Riccardo Biasiotto.

For those who only use LightSpace and own a third-generation Apple TV, they can download and purchase LightSpace Connect but it is strongly suggested to use it connected via an Ethernet cable. Wi-Fi, during the generation of a color cube, could disconnect making you lose happy hours of real life. The RPi is also highly recommended with a super stable wireless Bluetooth connection.

Please, let me know your opinions, suggestions and (why not?!) your own tests!

Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
Calibration softwares: Light Illusion Lightspace CMS HTP, Portrait Displays/Spectracal CalMAN Home Enthusiast 2018, HCFR, DisplayCAL/ArgyllCMS
Probes: x-rite i1 Pro 2, basICColor DISCUS | Test Pattern Generator: DVDO AVLab TPG

Last edited by Anger.miki; 11-21-2018 at 04:08 AM.
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post #2 of 157 Old 11-06-2018, 02:40 AM - Thread Starter
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post #3 of 157 Old 11-06-2018, 02:40 AM - Thread Starter
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post #4 of 157 Old 11-06-2018, 03:01 AM
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Great post Miki!

If you have time, can you try Ted patterns inside the very latest Infuse on ATV 4K with RGB HIGH?
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post #5 of 157 Old 11-06-2018, 03:08 AM
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Great work Miki thanks for your efforts thought you're were a lazy Italian like I am

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post #6 of 157 Old 11-06-2018, 03:23 AM - Thread Starter
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Quote:
Originally Posted by MrRobotoPlus View Post
Great post Miki!

If you have time, can you try Ted patterns inside the very latest Infuse on ATV 4K with RGB HIGH?
Will do. Probably tomorrow morning. But I suspect I will get the same floating results.
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post #7 of 157 Old 11-06-2018, 03:26 AM - Thread Starter
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Quote:
Originally Posted by BlackJoker View Post
Great work Miki thanks for your efforts thought you're were a lazy Italian like I am

I am! You don't know how many test I could have done and how much I could have written but my laziness made me desist almost immediately! lol

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post #8 of 157 Old 11-06-2018, 04:22 AM
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http://www.lightillusion.com/lights...ct_manual.html ???
Would be interesting to see the results when paired with various devices...



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post #9 of 157 Old 11-06-2018, 05:01 AM - Thread Starter
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Sure Steve, I will write you my address so you can send me those various devices to test. Oh and a Klein K-10A and a CR-300, thanks! Just kidding

What other devices would you like me to test?
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Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
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post #10 of 157 Old 11-06-2018, 07:07 AM
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Can the Rpi send HDR patterns or is another device needed?

John
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post #11 of 157 Old 11-06-2018, 07:19 AM - Thread Starter
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It needs another device (HDFury Integral/Vertex).

What did emerge once again from my testing it is how Ted's disc is a MUST in a calibrator's "library". It was and still it is a necessary tool in manual (enthusiast) calibration but it is also needed when you don't know if one of your device is bit accurate. I'm thinking about laptops HDMI output for example.
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Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
Calibration softwares: Light Illusion Lightspace CMS HTP, Portrait Displays/Spectracal CalMAN Home Enthusiast 2018, HCFR, DisplayCAL/ArgyllCMS
Probes: x-rite i1 Pro 2, basICColor DISCUS | Test Pattern Generator: DVDO AVLab TPG

Last edited by Anger.miki; 11-06-2018 at 07:27 AM.
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post #12 of 157 Old 11-06-2018, 07:29 AM
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It would be interesting to put together a list of PC output solutions that work reliably...

Currently I use the Masciola HDR10 patterns which are very nice.

Anyone try using an Intel NUC7 to run CALMAN, and to generate 4K HDR patterns via HDMI 2.0 output?

ERic

Theater: Sony A1E OLED 4K Ultra HD, Oppo-205, Anthem AVM60, 7.1.4 B & W CM 7 LR,CDM-cse, CM 1, CM 1 S2, Silverline minuet , SVS SB13 Ultra, Rotel RMB 1555, Parasound A23, Naim NAP 100, EEcolor lut box. Calman, MobileForge, I1D3 & I1pro 2.
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post #13 of 157 Old 11-06-2018, 07:34 AM
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Miki,

Please test the RPi PGENERATOR by Riccardo Biasiotti in YCC, it will help debug the current YCC output problem...

E

Theater: Sony A1E OLED 4K Ultra HD, Oppo-205, Anthem AVM60, 7.1.4 B & W CM 7 LR,CDM-cse, CM 1, CM 1 S2, Silverline minuet , SVS SB13 Ultra, Rotel RMB 1555, Parasound A23, Naim NAP 100, EEcolor lut box. Calman, MobileForge, I1D3 & I1pro 2.
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post #14 of 157 Old 11-06-2018, 07:38 AM
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In any case, we really need to find a low-cost 4K HDR solution

Theater: Sony A1E OLED 4K Ultra HD, Oppo-205, Anthem AVM60, 7.1.4 B & W CM 7 LR,CDM-cse, CM 1, CM 1 S2, Silverline minuet , SVS SB13 Ultra, Rotel RMB 1555, Parasound A23, Naim NAP 100, EEcolor lut box. Calman, MobileForge, I1D3 & I1pro 2.
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post #15 of 157 Old 11-06-2018, 07:42 AM - Thread Starter
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I tested it and I already spoke about it with Riccardo. It is technically easy to fix but it requires a lot of time because a analysis color by color is needed as a subsequent triplets compensation... we are talking about at least 9,261 triplets (21^3 cube points). It's a six months job: 50 colors per day during free time.

Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
Calibration softwares: Light Illusion Lightspace CMS HTP, Portrait Displays/Spectracal CalMAN Home Enthusiast 2018, HCFR, DisplayCAL/ArgyllCMS
Probes: x-rite i1 Pro 2, basICColor DISCUS | Test Pattern Generator: DVDO AVLab TPG

Last edited by Anger.miki; 11-06-2018 at 07:47 AM.
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post #16 of 157 Old 11-06-2018, 07:44 AM - Thread Starter
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Quote:
Originally Posted by eganz1 View Post
In any case, we really need to find a low-cost 4K HDR solution
Why? Aren't you happy with 1080p HDR TPG?

Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
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post #17 of 157 Old 11-06-2018, 08:19 AM
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Worry that color would be off...
Need easy reliable solution that puts TV in correct mode. 4K HDR10
Own integral, but too many boxes too much setup for std calibration

E

Theater: Sony A1E OLED 4K Ultra HD, Oppo-205, Anthem AVM60, 7.1.4 B & W CM 7 LR,CDM-cse, CM 1, CM 1 S2, Silverline minuet , SVS SB13 Ultra, Rotel RMB 1555, Parasound A23, Naim NAP 100, EEcolor lut box. Calman, MobileForge, I1D3 & I1pro 2.
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I wouldn't worry so much about that. First because HDR10/DV calibration is all about grayscale as touching the CMS for HDR10 introduces artifacts while Color Gamut calibration for DV (eg. DV file tweak) gets color even more off, second because you and I don't have reference meters, so we have at least a dE of 2 already from the "Ready? Go!". This hobby is fun and educational but when it comes to have the job really done a good pro calibrator is the only really CHEAP solution.
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Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
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post #19 of 157 Old 11-06-2018, 09:31 AM
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Quote:
Originally Posted by Anger.miki View Post
It needs another device (HDFury Integral/Vertex).

What did emerge once again from my testing it is how Ted's disc is a MUST in a calibrator's "library". It was and still it is a necessary tool in manual (enthusiast) calibration but it is also needed when you don't know if one of your device is bit accurate. I'm thinking about laptops HDMI output for example.
If you added the HDFury Integral/Vertex to the Rpi would the HDR Test patterns be accurate or does that still need to be tested?

John
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post #20 of 157 Old 11-06-2018, 10:01 AM - Thread Starter
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It would need to be tested. I might do that for 1080p SDR but then we should introduce a new dogma in our lives "with HDFury Integral what is bit accurate for SDR , it will also be for HDR" and trust it until someone with a 2k/4k HDR signal analyzer will confirm or destroy our dogma. I admit my ignorance here, I don't know if DVDO is able to analyze a HDR signal, I guess it can not, but @ConnecTEDDD surely might clear this thing up.
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Audio/Video Chain: Pioneer PDP-LX5090H, Pioneer VSX-921, Panasonic DMP-BDT260EG, Wharfedale Diamond 10.4 | External LUT box: Entertainment Experience eeColor
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post #21 of 157 Old 11-06-2018, 11:25 AM
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The cheap Test Pattern Generators accuracy thread

Quote:
Originally Posted by Anger.miki View Post
I wouldn't worry so much about that. First because HDR10/DV calibration is all about grayscale as touching the CMS for HDR10 introduces artifacts while Color Gamut calibration for DV (eg. DV file tweak) gets color even more off, second because you and I don't have reference meters, so we have at least a dE of 2 already from the "Ready? Go!". This hobby is fun and educational but when it comes to have the job really done a good pro calibrator is the only really CHEAP solution.

Your assertion about DV config file is a misunderstanding of the differences of the 2017 vs 2018 LG panel. The panel saturation control that was introduced in the 2018 panel results in much better DV calibration results as far as gamut accuracy. One workaround on the 2017 model, Is to tweak the global saturation control after loading the config file. Most likely you will have to boost the saturation a little bit to get the color checker to fall in line.

Tyler

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10 Bit Gradient Test Patterns (HEVC) - Free Download

Last edited by WiFi-Spy; 11-06-2018 at 01:05 PM.
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post #22 of 157 Old 11-06-2018, 12:20 PM
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Great work, @Anger.miki . It sure helps enthusiasts to at least know where they are with respect to calibration.
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post #23 of 157 Old 11-06-2018, 01:13 PM
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Quote:
Originally Posted by jrref View Post
If you added the HDFury Integral/Vertex to the Rpi would the HDR Test patterns be accurate or does that still need to be tested?
Quote:
Originally Posted by Anger.miki View Post
It would need to be tested. I might do that for 1080p SDR but then we should introduce a new dogma in our lives "with HDFury Integral what is bit accurate for SDR , it will also be for HDR" and trust it until someone with a 2k/4k HDR signal analyzer will confirm or destroy our dogma. I admit my ignorance here, I don't know if DVDO is able to analyze a HDR signal, I guess it can not, but @ConnecTEDDD surely might clear this thing up.
There is nothing super special about HDR10 patterns, if you have a bit-perfect 1080p 8bit @ RGB-Video generator, adding an HD Fury device (Integral/Linker/Vertex) which will add the HDR10 Metadata and the AVI Infoframe, you can have exact same results as having a Murideo Six-G/VideoForgePRO for HDR10, where its generating accurately 8-bit RGB-Video with metadata + infoframe also. Just you are limited to output 1080p60 (or 24p if its supported) while with Murideo Six-G/VideoForgePRO you can send 2160p24/60 etc. At this point resolution has zero effect to patch generation, if you send 1080p 10% Window or 2160p 10% Window you will measure the exact same results. (resolutions is not affecting accuracy of patch generation when the colorspace/HDR10 metadata/AVI infoframe the all the same).

The problem is that ideally you need to generate YCbCr REC.2020 patterns when you perform HDR10 calibration (and YCbCr REC.709 when you perform SDR calibration) because this is the colorspace where your player will output (bit-perfect) when you will playback your movies.

TV's can have different results when you send to a their HDMI Input YCbCr or RGB signal (colorspace conversions will be involved/processing...you can have different near black or RGB balance etc.), the ideal is to send always the same colorspace as your source will output later during movie playback, here is the advantage or an external generator, the guarantee that you can have accurate patch generation.

But spending some thousand dollars to get an external generator, doesn't mean that its accurate: http://01900888.com/forum/139-d...l#post56983368

...and as you see to that thread, advertised as bit-perfect revolutionary solutions (cheap/for all) which have been tested with waveform monitors that are bit-perfect are really suffering with many digital errors.

Its very bad when consumer enthusiasts or calibrators are finding out all these problems the same time that have been ignored by software/hardware companies, for years.

Companies have to perform proper testing before releasing a solution for sale, its a shame (for a product) when enthusiasts locate problems exist for years which have been ignored by manufacturers.
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post #24 of 157 Old 11-06-2018, 01:26 PM
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@connect TEDDD

You pointed out something very interesting that is often overlooked:

"The problem is that ideally you need to generate YCbCr REC.2020 patterns when you perform HDR10 calibration (and YCbCr REC.709 when you perform SDR calibration) because this is the colorspace where your player will output (bit-perfect) when you will playback your movies.

TV's can have different results when you send to a their HDMI Input YCbCr or RGB signal (colorspace conversions will be involved/processing...you can have different near black or RGB balance etc.), the ideal is to send always the same colorspace as your source will output later during movie playback, here is the advantage or an external generator, the guarantee that you can have accurate patch generation."


It would be interesting to test some of the more popular high end sets from LG and Sony, and Panasonic if you are not in the US, to see what the difference is, if any to the calibration sending the set YCbCr and RGB. Since the TV won't process RGB, there should be no error but converting YCbCr to RGB, maybe some sets have a problem?

This is a pet interest of mine because through experimentation on the LG and Sony OLEDS, I can never see the difference putting the Murideo to Auto vs YCbCr or RGB. At least nothing that I can detect. Everyone says don't use Auto because the EDID could be wrong from the TV, IDK. I think a lot of us assume high-end TVs do the conversion from YCbCr to RGB correctly so there shouldn't be a difference.

What would be the best quick and long test to see where there is a potential for errors n this regard?
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post #25 of 157 Old 11-06-2018, 01:33 PM - Thread Starter
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Originally Posted by Vishwa Somayaji View Post
Great work, @Anger.miki . It sure helps enthusiasts to at least know where they are with respect to calibration.
Thanks mate. It’s all about that: knowledge and brotherhood.
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post #26 of 157 Old 11-06-2018, 02:54 PM
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Originally Posted by jrref View Post

It would be interesting to test some of the more popular high end sets from LG and Sony, and Panasonic if you are not in the US, to see what the difference is, if any to the calibration sending the set YCbCr and RGB. Since the TV won't process RGB, there should be no error but converting YCbCr to RGB, maybe some sets have a problem?
Why do you think a TV won't process an RGB input? As far as I know this is TV dependent.

It is my understanding that very often the image processing in a TV actually operates in YCrCb colourspace; so RGB input could result in more conversion than YCrCb input.

YCrCb video from content -> player converts it to RGB -> TV converts RGB to YCrCb -> TV processing -> TV converts it to RGB for the panel....

Vs

YCrCb video from content -> TV processing -> TV converts it to RGB for the panel....

(there is some non-specific coverage of the issues here: http://spearsandmunsil.com/portfolio...color-space-2/)
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post #27 of 157 Old 11-07-2018, 12:08 AM
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Quote:
Originally Posted by jrref View Post
@connect TEDDD



You pointed out something very interesting that is often overlooked:



"The problem is that ideally you need to generate YCbCr REC.2020 patterns when you perform HDR10 calibration (and YCbCr REC.709 when you perform SDR calibration) because this is the colorspace where your player will output (bit-perfect) when you will playback your movies.



TV's can have different results when you send to a their HDMI Input YCbCr or RGB signal (colorspace conversions will be involved/processing...you can have different near black or RGB balance etc.), the ideal is to send always the same colorspace as your source will output later during movie playback, here is the advantage or an external generator, the guarantee that you can have accurate patch generation."





It would be interesting to test some of the more popular high end sets from LG and Sony, and Panasonic if you are not in the US, to see what the difference is, if any to the calibration sending the set YCbCr and RGB. Since the TV won't process RGB, there should be no error but converting YCbCr to RGB, maybe some sets have a problem?



This is a pet interest of mine because through experimentation on the LG and Sony OLEDS, I can never see the difference putting the Murideo to Auto vs YCbCr or RGB. At least nothing that I can detect. Everyone says don't use Auto because the EDID could be wrong from the TV, IDK. I think a lot of us assume high-end TVs do the conversion from YCbCr to RGB correctly so there shouldn't be a difference.



What would be the best quick and long test to see where there is a potential for errors n this regard?


I already showed very clearly that there are differences between the two colorspaces RGB -> YCbCr if you're using a Videoforge Pro. Like Ted suggested it's always the best method to calibrate his video chain with the colorspace that you going to use. Usually this is YCbCr and not RGB less processing means less errors means less problems
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post #28 of 157 Old 11-07-2018, 02:11 AM - Thread Starter
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Originally Posted by MrRobotoPlus View Post
Great post Miki!

If you have time, can you try Ted patterns inside the very latest Infuse on ATV 4K with RGB HIGH?
I have one bad news and a good one for you:

Bad news: my suspects were right, also with Infuse 5 pro on Apple TV 4K (so no airplay) I had fluctuating triplet values using Ted's disc media files/MF/LSC. I witnessed that behavior also in ATV Home screen. Tomorrow, I will exclude it is something related with the display I'm using to test as I'll test ATV 4K signal with my Kuro and my 2017 LG Edge LED. But I'm pretty sure it will have the same issue.

Good news: Ted's disc media files through Infuse returned the same triplet values I had when I airplayed them. So Infuse doesn't modify the signal.

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post #29 of 157 Old 11-07-2018, 02:51 AM
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Originally Posted by eganz1 View Post
Miki,

Please test the RPi PGENERATOR by Riccardo Biasiotti in YCC, it will help debug the current YCC output problem...

E
I support. I have opened with no success a thread at RPi level, looking for a firmware solution to fix the issue. Referring there some actual measurement might revitalize it


From my side I have done some verification using HCFR and my B6: http://www.avmagazine.it/forum/88-ca...94#post4897394
If needed, use Google traslate, as it is in Italian.
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post #30 of 157 Old 11-07-2018, 03:56 AM
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Quote:
Originally Posted by Anger.miki View Post
I have one bad news and a good one for you:

Bad news: my suspects were right, also with Infuse 5 pro on Apple TV 4K (so no airplay) I had fluctuating triplet values using Ted's disc media files/MF/LSC. I witnessed that behavior also in ATV Home screen. Tomorrow, I will exclude it is something related with the display I'm using to test as I'll test ATV 4K signal with my Kuro and my 2017 LG Edge LED. But I'm pretty sure it will have the same issue.

Good news: Ted's disc media files through Infuse returned the same triplet values I had when I airplayed them. So Infuse doesn't modify the signal.
Thank you Miki.
This is very good news and confirms my measurement. The only thing we need is an Ad Hoc calibration for ATV 4K. In the previous versions infuse had different output than the Apple native player. I'm still wondering if it is better to calibrate RGB High or the infamous greenish ATV's YCbCr.

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